What is the future of the RED Hydrogen One?

By Matthew Allard ACS

The RED Hydrogen One was announced back in May 2018. The Hydrogen was marketed as a standalone, full-featured, unlocked multi-band smartphone operating on Android OS. Perhaps the key feature that was enticing a lot of people to order was the future promise of modularity. At the time RED said: ⟳ continue…

From:: News Shooter

Watch Peter McKinnon React to the Craziest Hollywood Camera Moves

By V Renée

Reaction videos: everyone else gets ’em, now filmmakers do too.

If someone were to ask me why I like to watch reaction videos, I’d say, “I ‘on’t friggin’ know! I just do.” And damn it, that’s as articulate as I can be about my love for them, because, frankly, I don’t ⟳ continue…

From:: No Film School

1970s sports coverage: familiar but horrifyingly old fashioned

By noreply@redsharknews.com (David Shapton)

Vintage Match of the day Live TV coverage

It’s easy to poke fun at technology from 45 years ago, but you can’t help admiring the people who worked in live outside broadcasts back then

  • Live TV Live Production
  • Match Of The Day
  • Retro TV
  • 1970s

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    From:: RedShark News

    Blind Spot Gear Crack Light

    By Newsshooter

    Blind Spot Gear has launched their 6th Kickstarter with the new Crack Light. Crack light is an interesting choice of name (It probably wouldn’t have been my first choice), but I guess the name refers to the light being so thin that it can fit into small spaces. Profound Beginnings ⟳ continue…

    From:: News Shooter

    Calling All Documentary Filmmakers: There’s a Retreat Just for You

    By Paula Bernstein

    Oregon Doc Camp, a four-day retreat for nonfiction filmmakers in the Oregon woods, is now accepting applications.

    Documentary filmmaking can be isolating work–especially if you live far from a filmmaking hub. Oregon Doc Camp, now in its sixth year, provides an opportunity for documentary filmmakers to build community and develop their ⟳ continue…

    From:: No Film School

    BPS 039: Screenwriting Unchained – Master Story Structure with Emmanuel Oberg

    By Alex Ferrari

    Screenwriting Unchained – Master Story Structure with Emmanuel Oberg Today on the show we have Emmanuel Oberg. Emmanuel is a screenwriter, author and script consultant with more than twenty years of experience in the Film and TV industry. After selling his first project to Warner Bros as a co-writer, he ⟳ continue…

    From:: Indie Film Hustle

    PODCAST: Why Post-Production “Generalists” Are Thriving as Independent Content Creators in 2019

    By Noam Kroll

    Many filmmakers were told early on in their careers to specialize in only one field and to master a single skill. But as the landscape of content creation continues to evolve, creative generalists – especially those who emphasize post production – are proving that this theory may no longer hold ⟳ continue…

    From:: Noam Kroll

    charlieuniformtango Brings Home 13 ADDYS – Including The Dallas Foodie and Judges Choice Awards

    By youngcompany

    DALLAS

    Lola Lott, charlieuniformtango principal/CEO, announced…

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    From:: Shoot OnLine

    CFexpress 2.0 cards will be offered in three sizes with different maximum speeds

    In February, the CompactFlash Association announced the CFexpress 2.0 specification, a follow-up to the CFexpress 1.0 specification first revealed in late 2016. The new 2.0 spec update brings two more form factors to CFexpress, both targeting industrial and professional imaging ⟳ continue…

    From:: DPreview

    C-SPAN Offers Highlights from 40 Years of Broadcasting

    By Michael Balderston WASHINGTON—Congress opened its doors to the American public 40 years ago as of Tuesday, March 19, with the first broadcast of C-SPAN. The creation of C-SPAN has provided a level of transparency to government dealings for the everyday citizen, including political and policy debates that have ranged …

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    From:: TV Technology

    LMGI Awards Opens Entries For 2019 Awards

    By weissmanmarkovitzcomm

    LOS ANGELES
    The LOCATION MANAGERS GUILD INTERNATIONAL (LMGI) announces the 6th Annual LMGI Awards, honoring the outstanding and creative visual contributions of location professionals and film commissions in film, television and commercials, will be held on September 21, 2019 at the Broad Theater in Santa…

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    From:: Shoot OnLine

    Lynn Shelton on Her ‘Backdoor Way into Filmmaking’

    By Jo Light

    Indie stalwart Lynn Shelton returns behind the camera.

    There is one particular moment in Lynn Shelton’s new film, Sword of Trust, that I am obsessed with.

    The film, which just premiered at SXSW, follows an unlikely group of misadventurers who stumble upon a Civil-War-era sword, which conspiracy theorists claim proves that the ⟳ continue…

    From:: No Film School

    Crack Light – Tiny Waterproof Flexible LED Light, Now on Kickstarter

    By Jakub Han

    The Crack light is a new Kickstarter campaign by Blind Spot Gear. It is a tiny, flexible and waterproof LED panel, consisting of 49 daylight (6000K) LEDs and is powered via USB connector. It can be used either with or without a dimmer and can be ⟳ continue…

    From:: Cinema 5d

    One First-Time Fimmaker’s Quest: Move to a New Country and Stay There Until You’ve Made a Film

    By Oakley Anderson-Moore

    “I made this deal with myself that I would sell everything, buy a one-way ticket, go to the former Yugoslavia, and not come back without an observational documentary.”

    In 2004, after visiting Croatia, Bosnia and Herzegovina for the first time on a side trip from his brother’s wedding in Europe, ⟳ continue…

    From:: No Film School

    Indie Director Destin Daniel Cretton to Direct Marvel’s ‘Shang-Chi’ Film

    By Jason Hellerman

    There’s nothing “short term” about working with Marvel.

    Captain Marvel had a huge opening weekend and now it seems like a great time for Marvel and Kevin Feige to unravel what the Marvel Cinematic Universe holds next. And apparently, it holds another groundbreaking title.

    Destin Daniel Cretton has been announced as ⟳ continue…

    From:: No Film School