In an industry dominated by budgets in the millions, or even hundreds of millions, how can an independent filmmaker get their vision to market? YouTube, VIMEO, luck? The festival circuit? Making a movie is expensive, so how does a rising artist find enough financial support to break into the business of film?
Photography can be a lonely journey for some. If you are just beginning your foray into wildlife and/or underwater photography, then please join Mike O’Leary and me as we host a free webinar on Saturday, August 24th at 3pm EST. With this webinar, Mike and I hope to answer any questions you may have in relation to starting out in wildlife or underwater photography, as well as how one can use the medium as a positive force.
At a momentary glance, Kando 3.0 might seem like the traditional photography workshop you see announced almost every day. But give it a minute instead of a moment and you’ll see Kando is way more than that. In fact, it’s not really a workshop at all.
Photographing underwater possess its own challenges even in clear visibility. Coming into a body of water you are unaware of the conditions can make or break you, only if you allow it to.
Let’s face it: photography can be an isolated activity, and it’s a part of my photography career that I don’t much care for. I don’t live in a major metropolitan area, so my regular interaction with other photographers is limited to when I’m shooting on assignments. While this is usually enjoyable, it isn’t the same as just hanging out and shooting.
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