Do you have an FS5 and want to stream to Facebook or YouTube? It’s actually fairly straight forward and you don’t even need to buy anything extra! You can even connect a couple of FS5’s to a single computer and switch between them.
How do you do it?
First you will need to download and install two pieces of free software on your computer. The first is VLC. VLC is an open source video player but it also has the ability to act as a media server that can receive the UDP video streams that the FS5 sends and convert them into a live video clip on the computer. The computer and the camera will both need to be connected to the same wifi network and you will need to enter the IP address of the computer into the streaming server settings in the FS5. By connecting the FS5 to your computer via the network you can use VLC to decode the UDP stream . Go to “file” “open network” and click on “open RTP/UDP stream” and enter the computers IP address and the stream port, you should then save the FS5 stream as a playlist in VLC.
OBS is a clever open source streaming application that can convert any video feed connected to a computer into a web stream. From within OBS you can set the signal source to VLC and then the stream from the FS5 will become one of the “scenes” or inputs that OBS can stream to Facebook, YouTube etc.
For multi-camera use a different port for each of the UDP streams and then in VLC save each stream as a different playlist. Then each playlist can be attached to a different scene in OBS so that you can switch. cut and mix between them.
With some difficult times ahead and the need for most of us to minimise contact with others there has never been a greater need for streaming and online video services that now.
I’m setting up some streaming gear in my home office so that I can do some presentations and online workshops over the coming weeks.
I am not an expert on this and although I did recently buy a hardware RTMP streaming encoder, like many of us I didn’t have a good setup for live feeds and streaming.
So like so many people I tried to buy a Blackmagic Design Atem, which is a low cost all in one switcher and streaming device. But guess what? They are out of stock everywhere with no word on when more will become available. So I have had to look at other options.
The good news is that there are many options. There is always your mobile phone, but I want to be able to feed several sources including camera feeds, the feed from my laptop and the video output from a video card.
OBS is s great piece of software that can convert almost any video source connected to a computer into a live stream that can be sent to most platforms including Facebook and YouTube etc. If the computer is powerful enough it can switch between different camera sources and audio sources. If you follow the tutorials on the OBS website it’s pretty quick and easy to get it up and running.
So how am I getting video into the laptop that’s running OBS? I already had a Blackmagic Mini Recorder which is an HDMI and SDI to thunderbolt input adapter and I shall be using this to feed the computer. There are many other options but the BM Mini Recorders are really cheap and most dealers stock them as well as Amazon. it’s HD only but for this I really don’t need 4K or UHD.
Taking things a step further I also have both an Atomos Sumo and an Atomos Shogun 7. Both of these monitor/recorders have the ability to act as a 4 channel vision switcher. The great thing about these compared to the Blackmagic Atem is that you can see all your sources on a single screen and you simply touch on the source that you wish to go live. A red box appears around that source and it’s output from the device.
So now I have the ability to stream a feed via OBS from the SDI or HDMI input on the Blackmagic Mini Recorder, fed from one of 4 sources switched by the Atomos Sumo or Shogun 7. A nice little micro studio setup. My sources will be my FS5 and FX9. I can use my Shogun as a video player. For workflow demos I will use another laptop or my main edit machine feeding the video output from DaVinci Resolve via a Blackmagic Mini Monitor which is similar to the mini recorder but the mini monitor is an output device with SDI and HDMI outputs. The final source will be the HDMI output of the edit computer so you can see the desktop.
Don’t forget audio. You can probably get away with very low quality video to get many messages across. But if the audio is hard to hear or difficult to understand then people won’t want to watch your stream. I’m going to be feeding a lavalier (tie clip) mic directly into the computer and OBS.
I think really my main reason for writing this was really to show that many of us probably already have most of the tools needed to put together a small streaming package. Perhaps you can offer this as a service to clients that need to now think about online training or meetings. I was lucky enough to have already had all the items listed in this article, the only extras I have had to but are an extra thunderbolt cable as I only had one. But even if you don’t have a Sumo or Shogun 7 you can still use OBS to switch between the camera on your laptop and any other external inputs. The OBS software is free and very powerful and this really is the keystone to making this all work.
I will be starting a number of online seminars and sessions in the coming weeks. I do have some tutorial videos that I need to finish editing first, but once that’s done expect to see lots of interesting online content from me. Do let me know what topics you would like to see covered and subject to a little bit of sponsorship I’ll see what I can do.
Stay well people. This will pass and then we can all get back on with life again.
I see this all the time “which LUT should I use to get this look” or “I like that, which LUT did you use”. Don’t get me wrong, I use LUT’s and they are a very useful tool, but the now almost default reversion to adding a LUT to log and raw material is killing creativity.
In my distant past I worked in and helped run a very well known post production facilities company. There were two high end editing and grading suites and many of the clients came to us because we could work to the highest standards of the day and from the clients description create the look they wanted with the controls on the equipment we had. This was a digibeta tape to tape facility that also had a Matrox Digisuite and some other tools, but nothing like what can be done with the free version of DaVinci Resolve today.
But the thing is we didn’t have LUT’s. We had knobs, dials and switches. We had to understand how to use the tools that we had to get to where the client wanted to be. As a result every project would have a unique look.
Today the software available to us is incredibly powerful and a tiny fraction of the cost of the gear we had back then. What you can do in post today is almost limitless. Cameras are better than ever, so there is no excuse for not being able to create all kinds of different looks across your projects or even within a single project to create different moods for different scenes. But sadly that’s not what is happening.
You have to ask why? Why does every YouTube short look like every other one? A big part is automated workflows, for example FCPX that automatically applies a default LUT to log footage. Another is the belief that LUT’s are how you grade, and then everyone using the same few LUT’s on everything they shoot.
This creates two issues.
1: Everything looks the same – BORING!!!!
2: People are not learning how to grade and don’t understand how to work with colour and contrast – because it’s easier to “slap on a LUT”.
How many of the “slap on a LUT’ clan realise that LUT’s are camera and exposure specific, how many realise that LUT’s can introduce banding and other image artefacts into footage that might otherwise be pristine?
If LUT’s didn’t exist people would have to learn how to grade. And when I say “grade” I don’t mean a few tweaks to the contrast, brightness and colour wheels. I mean taking individual hues and tones and changing them in isolation. For example separating skin tones from the rest of the scene so they can be made to look one way while the rest of the scene is treated differently. People would need to learn how to create colour contrast as well as brightness contrast. How to make highlights roll off in a pleasing way, all those things that go into creating great looking images from log or raw footage.
Then, perhaps, because people are doing their own grading they would start to better understand colour, gamma, contrast etc, etc. Most importantly because the look created will be their look, from scratch, it would be unique. Different projects from different people would actually look different again instead of each being a clone of someone else’s work.
LUT’s are a useful tool, especially on set for an approximation of how something could look. But in post production they restrict creativity and many people have no idea of how to grade and how they can manipulate their material.