Your footage is already shot with lighting that makes it look “cinematic” and it’s time for color grading. You apply a teal-and-orange LUT preset, but although it is in the right direction, your video still lacks something that prevents it from having that blockbuster look.
If you haven’t already heard, Apple recently announced the 2019 Mac Pro. Besides the base model being insanely expensive, there are also a few other things you should be aware of before you consider buying the 2019 Mac Pro.
Whether you’re shooting on a cellphone or a RED cinema camera, picking the right frame rate is essential for a good finished video. Here’s a guide to choosing the right frame rate for any purpose.
Some photographers obsess over color, spending thousands on calibration equipment and high end monitors. A recent popular news story showed why this might not be worth it.
Laptops have severe limitations when it comes to throwing graphics around, lacking the big, fan-cooled processors that are often a feature of desktop machines. What if you could keep the mobility of your laptop and plug into an external GPU when you need to render graphics or export your content? Could this be a game changer when it comes to your workflow?
You might not be considering dropping the cash for this thing, but the target customer might.
Adobe’s Premiere Rush application, an all-in-one tool for shooting, editing, and sharing videos, has just received a significant update.
A lot goes into making a video look professional, and one of the final and most important steps is the color grade. It’s easy to make a mistake here, and this great video will highlight four such missteps that new videographers often make when it comes time to color grade.
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