Slow Volumes

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TIFF Wavelengths 2019, Program One: Double Iambs

It grows more difficult with each passing edition to assent to the standard line that the Wavelengths program is a small clearing for artistic purity amidst a shrill, militaristically corporate environment. This has nothing to do with Andréa Picard’s curation—as deft and illuminating this year as any in the decade I’ve attended the Toronto International Film Festival—and everything to do with ongoing shifts in the social and institutional situations of artists interested in making work whose form is other than that of the commercial narrative feature. Shifts within the institutional priorities of the festival itself have required that Picard take […]