Roy Samaha

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TIFF Wavelengths 2019, Program Two: Home Movies

Following on the eccentric construction of the first program, where the coherence of a quartet of formally disparate films was established by a shared interest in alternative means of image production (gender, as The Bite reminds us, being one of these as well), the second slate of Wavelengths shorts traced a much clearer arc, as all six works offered variations on the home movie. Though I found it lesser in quality than the night before, Picard’s curation here was brash and confrontational in a way it rarely is, a charmingly punk gesture to make in primetime on the festival’s first […]