As a sort of part 2 to my last video, I’m taking the black and white film from that same shoot and jumping into the darkroom. It’s been a while since I’ve ventured in, so I thought it would be fun to take you along with me while I kicked off the cobwebs.
Hasselblad, a Swedish company known for photographing space and their medium format cameras, has just released a new version of their X1D. With competition from Fujifilm and Phase One, the X1D II 50C is a very portable, sleek, and versatile medium format camera compared to its competitors.
If there’s one thing that the internet photography community loves to do, it’s call gear manufacturers out for the various “bad” design choices they make. Fujifilm’s new GFX 100 has certainly not been spared this. In this video, Cinema 5D heads over to the Fujifilm design labs to find out about the process of the design of their new flagship large (er-than-35mm) format camera.
All roads have led to this. After spending an entire month with the Fuji GFX S, today, I’ll offer my final thoughts on whether the camera is worth the price of admission.
In this section of my five-part series, I’d like to look at the overall experience of shooting with a medium format camera versus shooting with a full frame or APS-C sized sensor. We’ll also look at some of the unique quirks to take into account with the Fuji GFX 50S.
In part three of my five-part, in-depth review of the Fuji GFX 50S, I will compare it to the current queen of my household, the Nikon D850. While they each share a similar megapixel count, how does the sensor size affect performance?
In part two of my five-part, in-depth month-long review of the Fuji GFX 50S, I looked to compare the GFX S to the camera that originally inspired my interest in its potential, the smaller X-T3.
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