Lightroom is a crucial tool for many of us, but no matter how well versed you are on the software, you might still be making mistakes.
When it comes to photography, the most time consuming part of the process is the editing. Retouching a beauty photo can take 3 hours with no breaks. Because of this, I’ve been trying to find new ways to be more efficient without cutting corners.
As a photographer you are probably confronted every now and then with unacceptably high noise levels. This may occur when using extremely high ISO levels, or perhaps when lifting shadows too much in post processing. You can try to reduce noise by one or two sliders in Photoshop, Lightroom, or similar software, or by stacking a couple of photos.
Loads of photographers enjoy a little light entertainment during the often monotonous process of editing photos. When you’ve got to bang out edits on a 10-hour wedding or work your way through vacation photos, it’s nice to have something playing in the background. However, recent studies suggest that whether you listen to music or podcasts or binge-watch your favorite shows, you might be hindering your creativity.
Retouching is an essential part of the photography process. A photo does not get published without some finishing applied in post production. Automation tools such as presets and actions help speed up this process, but there is a danger in using them. This article discusses the problem with presets.
This is the second in this series of posts highlighting some of the differentiators between Capture One and Lightroom. As with the first, if you’re reading this, the likelihood is that you are or were recently a Lightroom user and are curious about a better software solution with which to treat your images.
When you move beyond the technique of capturing people with appropriate lighting, while maintaining a flattering expression and pose for the subject, what should you be adding or recreating in your imagery next?
Capture One is one of those programs that, once learned, is hard to do without, but due to the common experience of learning post-processing software within an Adobe ecosystem, anything different like Capture One can appear less intuitive or more challenging, even if it isn’t.
If you’re reading this, the likelihood is that you are currently or were recently a Lightroom user and are looking for better software with which to treat your images. That quest to find the best software is not necessarily an easy one, but it is necessary. While you may change camera bodies, lenses, lights, locations, and styles, the one constant that touches all of your images is the software used to develop them.
Scanning film has always been a bit of a pain. However, with time comes progress, and Nate over at Negative Lab Pro has been doing some awesome work, making scanning C-41 film using a DSLR or mirrorless easier than ever. However, using Negative Lab Pro with a flatbed scanner has always been a bit lacking. That just changed with Negative Lab Pro 2.0 and an unlikely partner: Vuescan.
I worked as a travel photographer for 8 years. In this period, I shot hundreds of thousands of images. As this part of my career came to a close, I wanted to have a portfolio of images that represented eight years of commercial travel photography. In this article, I’ll share how I used Lightroom and the Creative Cloud to edit a large body of work into a portfolio.
What is Capture One Express? Simply put, it’s a totally free and simplified version of the Capture One editing software that still offers the same superior raw handling ability as the Pro version.
You use Lightroom to process batches of images because you know how important efficiency is. But if you’re not fully utilizing Lightroom’s available rating (and sorting) options, you’re not running as tight a ship as you could.
“That’s been Photoshopped” is something you hear often but have you ever heard anyone say “that’s been Lightroomed”? Does your answer to that question tell you which form of software is better, or which you need more?
Many of us remember the debut of NIK Tools in 1995. They were a powerful set of plugins for Photoshop that did color adjustments, created lovely black and white images, and could sharpen images and lower noise in them. Just about every photographer I knew snapped them up at $500.
That’s right, Adobe users, they just added yet another slider into the already fairly extensive bag of tricks. There are probably several schools of thought, as to whether or not the programs needed another slider to control functions similar to sliders already present in the software.
It has been some time since Adobe last released a new control to Lightroom, and as such, I was very keen to try out their latest addition — the “Texture” slider. Since a good majority of my work is underwater, I was of course interested in what value it could add to underwater images. As I have quickly learned, this new feature is a great tool for underwater photographers — particularly those who struggle with backscatter in their images.