I received this timely reminder from the guys at Pag Batteries and it contains important information even if you don’t have one of Pag’s excellent batteries. The main one being that you should not store lithium batteries full charged.
If you are currently unable to work as a result of the global pandemic, then you need to make sure that your Li-Ion camera batteries are in good health when it becomes possible to return to work.
Batteries naturally self-discharge over time. If their state-of-charge is less than 10% before an extended period of inactivity, they could become difficult for you to recover.
It is also undesirable for batteries to be 100% charged for storage as this can damage the cells and lead to a shorter overall life.
PAG recommends that you charge your Li-Ion batteries to 50% (anywhere between 20% and 80% is desirable) prior to long term storage of more than 2 weeks. PAGlink batteries should also be in an unlinked state during this period.
PAGlink Sleep Mode for Storage
PAGlink Batteries can be put into Sleep Mode for long term storage, using the battery display menu system. It shuts down the internal electronics and greatly reduces battery self-discharge. The battery can be woken-up with 2 presses of the display button.
Please refer to Section 6 of the User Guide for PAGlink Batteries via the links below:
With some difficult times ahead and the need for most of us to minimise contact with others there has never been a greater need for streaming and online video services that now.
I’m setting up some streaming gear in my home office so that I can do some presentations and online workshops over the coming weeks.
I am not an expert on this and although I did recently buy a hardware RTMP streaming encoder, like many of us I didn’t have a good setup for live feeds and streaming.
So like so many people I tried to buy a Blackmagic Design Atem, which is a low cost all in one switcher and streaming device. But guess what? They are out of stock everywhere with no word on when more will become available. So I have had to look at other options.
The good news is that there are many options. There is always your mobile phone, but I want to be able to feed several sources including camera feeds, the feed from my laptop and the video output from a video card.
OBS is s great piece of software that can convert almost any video source connected to a computer into a live stream that can be sent to most platforms including Facebook and YouTube etc. If the computer is powerful enough it can switch between different camera sources and audio sources. If you follow the tutorials on the OBS website it’s pretty quick and easy to get it up and running.
So how am I getting video into the laptop that’s running OBS? I already had a Blackmagic Mini Recorder which is an HDMI and SDI to thunderbolt input adapter and I shall be using this to feed the computer. There are many other options but the BM Mini Recorders are really cheap and most dealers stock them as well as Amazon. it’s HD only but for this I really don’t need 4K or UHD.
Taking things a step further I also have both an Atomos Sumo and an Atomos Shogun 7. Both of these monitor/recorders have the ability to act as a 4 channel vision switcher. The great thing about these compared to the Blackmagic Atem is that you can see all your sources on a single screen and you simply touch on the source that you wish to go live. A red box appears around that source and it’s output from the device.
So now I have the ability to stream a feed via OBS from the SDI or HDMI input on the Blackmagic Mini Recorder, fed from one of 4 sources switched by the Atomos Sumo or Shogun 7. A nice little micro studio setup. My sources will be my FS5 and FX9. I can use my Shogun as a video player. For workflow demos I will use another laptop or my main edit machine feeding the video output from DaVinci Resolve via a Blackmagic Mini Monitor which is similar to the mini recorder but the mini monitor is an output device with SDI and HDMI outputs. The final source will be the HDMI output of the edit computer so you can see the desktop.
Don’t forget audio. You can probably get away with very low quality video to get many messages across. But if the audio is hard to hear or difficult to understand then people won’t want to watch your stream. I’m going to be feeding a lavalier (tie clip) mic directly into the computer and OBS.
I think really my main reason for writing this was really to show that many of us probably already have most of the tools needed to put together a small streaming package. Perhaps you can offer this as a service to clients that need to now think about online training or meetings. I was lucky enough to have already had all the items listed in this article, the only extras I have had to but are an extra thunderbolt cable as I only had one. But even if you don’t have a Sumo or Shogun 7 you can still use OBS to switch between the camera on your laptop and any other external inputs. The OBS software is free and very powerful and this really is the keystone to making this all work.
I will be starting a number of online seminars and sessions in the coming weeks. I do have some tutorial videos that I need to finish editing first, but once that’s done expect to see lots of interesting online content from me. Do let me know what topics you would like to see covered and subject to a little bit of sponsorship I’ll see what I can do.
Stay well people. This will pass and then we can all get back on with life again.
Your going on an overseas shoot and trying to decide whether to check in your camera or take it as carry-on on the flight. What should you do, which is best?
24.8 million checked bags went missing in 2018, so it’s not a small problem.
Europe is the worst with 7.29 bags per 1,000 passengers annually, then it’s 2.85 in North America and only 1.77 in Asia.
So if you’re in Europe and travelling with say 3 bags – camera, tripod, lights. Then statistically your going to lose a bag around around once every 45 flights (22.5 return journeys). The statistics actually fit well with my own experience of a checked in bag going missing about once every 2 years. Most of the time they do turn up eventually, but if you need the gear for a shoot this can often be too late, especially if the location is remote or a long way from an airport.
Some years back I had a huge flightcase with a complete edit system in it disappear on a flight. It didn’t show up again until a couple of years later, found by the airline quite literally on the wrong side of the planet. How you lose something that size for years is beyond me. But stuff does go missing. This case eventually found it’s way back because my name and address was inside it. And that’s an important point. Make sure your contact details are on your luggage and IN your luggage. On the outside I only put my mobile phone number as there are criminal gangs that will look for addresses on luggage knowing that there’s a higher than normal chance that your home or business property may be unattended while you are out of the country.
Another thing to think about is how tags get attached to your luggage. If the bag is a hold-all type bag with two straps, often the check-in agent will put the baggage tag around both carry handles. If a baggage handler then picks the bag up by a single handle this can cause the tag to come off. Also baggage tags also have little additional bar code on the very end of the tag. These are supposed to be stuck onto the luggage so that if the tag comes off the luggage it can still be scanned and tracked. But often the check-in agents don’t bother sticking them on to your luggage.
If you have ever worked airside at an airport, as you move around you’ll often see small piles of luggage stacked in corners from where it’s fallen off luggage belts or worse still are the bags on the outside of bends on the airport service roads, often in the rain or snow, that have fallen from luggage bins or luggage trucks. Many airports employ people just to drive around to pickup up this stuff , throw it into a truck and then dump in a central area for sorting. Most will eventually find their owners but many won’t which is why they are now many specialist auction houses that sell off lost luggage on behalf of the airlines and airports.
Also what happens if you get caught up in an IT failure or baggage handlers industrial action? You valuable kit could end up in limbo for weeks.
So, I recommend where you can you take your camera as carry-on. Also do remember any lithium batteries MUST be taken as carry on. Tripod, lights etc, that can go in the hold. If they go missing it is a complete pain, but you can probably still shoot if you have the camera a lens and couple of batteries.