Creative Capital

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“My Work Has Always Inhabited That Liminal Space Between Desire and Compulsion”: Five Questions for Michelle Handelman On Her New Installation at signs and symbols

In its final week at Manhattan gallery signs is symbols is artist and filmmaker Michelle Handelman’s installation, LOVER HATER CUNTY INTELLECTUAL, a kind of remix of last year’s large-scale SFMOMA installation Hustlers & Empire for the smaller and more intimate studio space. The previous exhibition was centered around three archetypal characters — “real and imagined hustlers” drawn from three seminal works: Iceberg Slim’s Pimp (1967), Marguerite Duras’s The Lover (1984) and Federico Fellini’s Toby Dammit (1968). This new exhibition focuses solely on a character inspired by Duras and the semi-autobiographical protagonist of her novel and performed by queer Latinx artist […]