As I’ve gotten older, one thing I’ve learned is that it’s often easier and quicker to learn from someone else who has “been there and done that” than it is to learn by trial and error on your own. In this video, Serge Ramelli interviews Joel Grimes about what it takes to be a successful photographer.
A recent spate of camera purchases has indeed improved my photographic skill, but perhaps not in the way you may be thinking.
In the world of professional photography, the value of our work doesn’t always line up with our client’s budgets. But as tempting as it is to take the money and run, holding firm can often be more profitable in the end.
Starting out in commercial photography is a daunting prospect, especially for those who are more creator than entrepreneur. I was one of these people, and I’d like to share some tips that are very easy to implement that could save you from a lot of headaches down the road.
The business of photography is unique in a specific way like few other careers are. Many people that call themselves professional photographers are also hobbyists that love to shoot whether they get paid for it or not. Is that a gift or a bonus to calling photography your career or is it an affliction?
In this composite walkthrough, I take you through the various processes it took to create this advertising image. Throughout the video, you will hear my thoughts and why I decided on certain aspects.
After finding myself in yet another strange new world last week, I began to reflect on the future of photography and steps necessary to protect the profession we love.
As advanced technology becomes more affordable, we seem to be seeing more and more photographers and videographers using robots to help them create jaw-dropping work, which requires precise movements. These machines are no longer only in the domain of the likes of NASA, Google, or Hollywood — and that’s really exciting.
Today, I’d like to share with you a story. A story about a brief moment that was a long in the making.
Even as the corresponding shifts from film to digital and from print to online have brought with them an expectation of instant feedback, sometimes you gain more as a photographer from being forced to wait.
90% of people in the creative industries have worked for free. In the world of photography and filmmaking, it’s not unusual to work for nothing in return for exposure, experience, and getting a foot in the door — to the frustration of others. Whether you’re the one moaning or the one undercutting, check out these ideas for how we can make things better.