Ashley Connor

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“The Sadder We Made It Look, the Funnier It Became”: Gaffer Daniel April Lights The Death of Dick Long

I first saw The Death Of Dick Long at a press screening at Technicolor Postworks. It is the second feature film from one of Swiss Army Man’s co-directors, Daniel Scheinert, whose kooky debut portends the mercurial sensibilities of Dick Long, a cotton state comedy of errors with a hushed twist. The film’s gaffer, Daniel April, the sought after lightsmith of New York indie film, still hadn’t seen the film, so I invited him to attend A24’s special screening at the Alamo Drafthouse in Downtown Brooklyn, featuring free wine and popcorn, the common bribes. April had just gotten off the set […]