The New Phase One Lab Gives IQ4 150MP Owners An Impressive New Tool

The New Phase One Lab Gives IQ4 150MP Owners An Impressive New Tool

Phase One Labs is a new function available for Phase One IQ4 150MP and 150 Achromatic digital back owners. The lab offers beta versions of features currently in development, allowing photographers to provide feedback for future releases. Even though it’s only in beta, the first feature is a doozy.

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Check Out These Great Three-Light Setups

Check Out These Great Three-Light Setups

You can produce great images with a wide range of lighting setups ranging from natural light all the way up to several lights. However, a three-light setup is often a sweet spot for a lot of photographers, as it provides a lot of versatility while still being relatively manageable. This excellent video will show you a range of creative three-light setups you can use for your own images.

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A Look at the Eerily Empty World of New York City During the Coronavirus Pandemic

A Look at the Eerily Empty World of New York City During the Coronavirus Pandemic

The coronavirus pandemic has led to unprecedented shutdowns, bringing normal life to a complete halt in many places around the world, making for eerie scenes as normally bustling neighborhoods stand empty and quiet. This fascinating video tours the streets of New York City to show how starkly different the world is during the COVID-19 shutdown.

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The Benefits of Using a Grid With a Softbox

The Benefits of Using a Grid With a Softbox

Softboxes are by far some of the most commonly used lighting modifiers, but they are not perfect. One of the most useful ways you can augment a softbox’s functionality is by adding a grid. This excellent video will show you how to use a grid on a softbox and why it will make your work easier and better.

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Canon Patents 8mm f/4 Fisheye Lens

Canon Patents 8mm f/4 Fisheye Lens

Canon has been pushing the boundaries of lens design recently, with some highly impressive optics coming to market, some never seen before. It seems the company is showing no signs of stopping, as a patent for an extremely wide full frame fisheye lens has just emerged.

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A Review of the Samyang XP 35mm f/1.2 Lens

A Review of the Samyang XP 35mm f/1.2 Lens

A 35mm lens with a wide maximum aperture is one of the most useful optics a photographer can own, as it offers a versatile focal length along with excellent light-gathering and depth of field performance. This excellent video review takes a look at the relatively affordable Samyang XP 35mm f/1.2 lens and if it can stand up to the demands of professional photographers.

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IFH 383: The Future of Hollywood After Corona & Goodbye to Film Trooper with Scott McMahon

Please Note: Once you press play it will take a few seconds for the episode to start playing. The Future of Hollywood After Corona & Goodbye to Film Trooper with Scott McMahon Today is a sad day guys. My dear friend and fellow filmmaking podcaster Scott McMahon is closing up shop. Scott runs Filmtrooper.com and…

The post IFH 383: The Future of Hollywood After Corona & Goodbye to Film Trooper with Scott McMahon appeared first on Indie Film Hustle®.

Weather Sealing Review and How to Photograph a Cycling Race

Weather Sealing Review and How to Photograph a Cycling Race

Weather sealing has been an anxiety of mine over the years (before I became a studio bunny) and I was never sure how far I could push it. A few weeks ago I decided to find out by shooting in the rain for two hours.

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How to Use Studio Strobes with Fuji Instax Instant Film

Fuji’s Instax film is typically thought of as a “snapshot” product, not something you’d use in a studio, but Brooklyn-based photographer Anthony Tripoli hasn’t let that stop him. He’s figured out a way to shoot studio portraits on Instax film, strobes and all.

In this video, Tripoli shares his setup for using studio strobes to capture professional looking portraiture on Instax Wide Film. While experimenting with the idea, he discovered that it’s not actually all that difficult, you just have to work around a few limitations found in most Instax cameras.

To capture his shots, he uses a Lomography Lomo’Instant Wide camera, mainly because it has a PC Sync port. Then, he sets the camera to its one manual shutter speed (1/30 second), covers the camera’s light meter with gaff tape to ensure the camera will shoot at f/8, and uses a hand-held light meter to measure the proper exposure, given that Instax film has an ISO of 800.

As an additional tip, he actually suggests that you meter your light at f/9 instead of f/8, because, according to Tripoli, “I find that Fuji Instax film slightly under-exposes when its metered for f/8, 1/30 of a second, ISO 800.”

He then walks you through the whole workflow in his own home studio, using a Broncolor strobe with a beauty dish and a grid, and photographing his friend’s back tattoo against a black background.

Here are a few samples (including the tattoo shot) that Tripoli shared with us:

His results might not be your style, but they prove a point that it is possible to shoot studio-style portraits using an Instax camera. You just need the right camera, a PC sync cable, and a little bit of gaff tape to make it happen.

Check out the video up top to hear more about Tripoli’s setup, and if you want to see his professional work, visit his website or give him a follow on Instagram.


Image credits: All photos by Anthony Tripoli and used with permission.