Sony Venice – Full-Frame 6K CineAlta

By cameraman

Finally, a Sony camera with a catchy name instead of a confusing number, which from a marketing point of view, has got to be a good start. Although Venice is Sony’s first 36x24mm Full-Frame digital motion picture camera system, it’s great to see it uses the already established and very efficient 10-bit XAVC or 16-bit RAW/X-OCN with the R7 recorder. So that’s SxS or AXS cards and compatibility with other CineAlta hardware. However, it also looks like a future firmware upgrade will also give the option of internal ProRes which is a format still favoured by many in post production who’d rather not transcode.

In many ways this feels like Sony are aiming to compete directly with Arri in the Cinema market, so the concept of having different licences for various camera features will also be a familiar one. Out of the box, the Venice looks like a 4K S35 sized camera. If you want to try some Full-Frame loveliness or even Anamorphic formats you’ll need to purchase an optional licence. These licences will be available on a permanent, monthly or weekly basis.

Ignoring the expected cost and complication of various licence options, there’s still plenty to drool over. A claimed 15 stops of dynamic range, ultra wide colour space, 8 step ND filters, PL or E-Mount lens options and that lovely Full-Frame shallow look. Venice also has a modular design that apart from allowing additional options like RAW recorders, opens up the possibility of even upgrading the sensor in the future.

In many ways, the fact that this is only 6K resolution on a full frame sized sensor could be seen as a disappointment, especially as Sony already → continue…

From:: Extra Shot

Vision Research introduces Phantom VEO 4KPL and Phantom VEO 590L

By Nic Divischek

Vision Research has just introduced its newest flagship model, the Phantom VEO 4K PL, as well as the Phantom VEO 590S and VEO590L. How do these newly-introduced cameras compare to other models? Will the camera break my bank? We have the answers for you below.

What is the Phantom VEO line?

They say that when you touch a Phantom camera you go straight to heaven. At least that’s how I feel. Vision Research is a company that started out with high-speed cameras for military testing and analysing car-crash impacts, only to later turn its eye to the film industry with its revolutionary tech. In 2014, Vision Research introduced the mind-blowing Phantom Flex 4K camera, capable of 1000 frames-per-second at full 4K DCI resolution, in what many would consider the best quality 4K RAW compared to RED and even ARRI. Last year, Vision Research introduced the VEO line, a more compact version of their film industry cameras that continue the trend set by the ARRI Mini and RED – that smaller is better. Less weight and a more compact design mean more possibilities, such as the use of stabilisation platforms and even UAV. In comparison, the Phantom Flex 4K body weighs an incredible 5kg without ANYTHING on it. Add a lens, follow focus, rods, viewfinder, batteries, monitor and you can easily accumulate a weight that not many gimbals can handle.

Phantom VEO4K-PL and Phantom VEO590S and L

VEO4K‐PL is available with either 36 GB or 72 GB of RAM, and includes SDI and HDMI video outputs, as well as a PL mount and OLPF with the black housing. Otherwise, there are two performance levels. The 590S and L models go 500 fps at 4K, with the 4K-PL going all the way up to 1000 fps. Previous VEO models were inferior in terms of → continue…

From:: Cinema 5d