Nikon looks to be positioning its D850 as a serious video rig with today’s announcement of a D850 Filmmaker’s Kit. The kit includes the camera body, three AF-S Nikkor lenses (20mm F1.8G ED, 35mm F1.8G ED, 85mm F1.8G), an Atomos Ninja Flame external recorder, ME-1 shotgun and ME-W1 wireless mics and an extra EN-EL15A battery.
Purchased separately, these items cost nearly $6300, so the kit’s MSRP of $5499 is a nice discount. The Filmmaker’s Kit will be available for purchase in late March.
For the U.S. market, Nikon Inc. is excited to announce the all-new Nikon D850 Filmmaker’s Kit, a custom bundle specifically designed for content creators and filmmakers looking to take full advantage of the D850’s extensive video capabilities and controls. The key component of the kit, the award winning Nikon D850 offers incredible features, including full-frame 4K UHD video capture at 24/30 fps, 8K and 4K time-lapse, focus peaking, zebra stripes, HDMI output and enhanced audio control.
The Nikon D850 Filmmaker’s Kit will include three prime NIKKOR lenses which are ideal for content creation, and exhibit the clarity and sharpness needed for 4K Ultra HD video; AF-S NIKKOR 20mm f/1.8G ED, AF-S NIKKOR 35mm f/1.8G ED, and the AF-S NIKKOR 85mm f/1.8G. The kit will also contain an external 4K Atomos Ninja Flame recorder/monitor (with power kit, docking station and coiled HDMI cable).
The Nikon D850 Filmmaker’s Kit will be available in the U.S. for the suggested retail price (SRP) of $5,499.95 and will go on sale at the end of March 2018.
The Nikon D850 Filmmaker Kit includes the following:
|The best-selling camera with 8 buttons, in the western Tri-state area, last Tuesday between 11:47 and 11:49.|
“We’re #1 in full frame*,” scream the press releases from the three big full frame camera makers. And, given the price and apparent appeal of the Sony a7 III, I wouldn’t be surprised if there’s more screaming once it hits the shelves.
The precise wording changes, as does the length of the list of caveats that follows that all-important asterisk but, I’d argue: what doesn’t change is that it’s simple boosterism. And you should pretty much ignore it.
There are a couple of reasons I say this. The first is that, even if you take all the footnotes (in this month, in that territory…) into account, the numbers don’t really tell you very much.
These announcements mainly tell you whose turn it is to be king for the day
Part of this is because you’re cherry-picking data from a small sample: there are only three big brands in the sector and very few products being launched. This means the launch of a new model inevitably causes a sales spike and this can see one brand jump in front of the others in the sales chart. A new model will sell more through pre-orders than an existing competitor that, post launch spike, has been selling steadily for 23 months. So, rather than saying which camera is king, these announcements mainly tell you whose turn it is to be king for the day.
It’s interesting, of course, when similar models, such as Nikon’s D850 and Sony’s a7R III get launched around the same time. But even though they are targeted at pretty similar customers, the winner of the sales race doesn’t tell you much about the cameras because there’s already a degree of → continue…
The International Wedding Photographer of the Year (IWPotY) competition has announced it’s 2017 winners, and there is plenty of wedding photography inspiration to go around. Entries were submitted into one of nine categories, and submitted photos had to be taken on the day of the wedding to quality.
|© Erika Mann|
This year’s Wedding Photographer of the Year grand prize went to Two Mann Studios‘ Erika Mann for her portrait of a bride with a double rainbow in the background. The image was taken near Cougar Creek in Canmore, Alberta, Canada, according to the photographer, who explained that an “unpredictable storm” had provided them with the spectacular backdrop.
Talking about the shot, Mann said:
Paige and Daniel had a super low key wedding, with the reception taking place in their parent’s backyard, with about 25 guests. Thankfully their parents have one of the most beautiful backyards in the planet, along the banks of Cougar Creek in Canmore, Alberta. After a short, and unpredictable storm, we were treated to the most amazing double rainbow. Lanny and I got low into the creek bed so we could remove the houses, and simplify the frame to the rainbow, mountain and Paige, with her dress billowing in the wind.
As the grand prize winner, Mann will receive $3,000 USD, as well as a Nikon D850 and other items totaling $9,125 in value.
|© Paul Woo|
The contest’s Runner Up is Paul Woo of Wandering Woo, who claimed the spot with a touching image of a bride’s son becoming emotional during the wedding ceremony. The Runner Up prize includes $1,000 USD, a Think Tank Signature 13, Photo Mechanic user license, and Hold Fast Skinny Money Maker camera strap.
Top scoring images have → continue…
|“Sun’s Up, Nets Out” by Zay Yar Lin|
Drone maker DJI announced the winners of the 2017 SkyPixel aerial photography competition earlier this month, but already there’s a controversy. As it turns out, the winner of the Landscapes category wasn’t actually taken with a drone or captured in 2017.
The contest rules required entries to have been taken in 2017 using “any aerial platform,” but a recent report from PetaPixel reveals that the winning image in the Landscape category, “Sun’s Up, Nets Out” by Zay Yar Lin, was actually taken in 2014 using a Nikon D750 from an elevated bamboo stage… probably not what they meant by ‘aerial platform.’
In fact, the photograph—which has since been disqualified—was previously submitted to the NatGeo 2015 Traveler Photo Contest as well as the 2016 Sony World Photography Awards, and was a ‘top entry’ in the Amateur Photographer of the Year 2016 contest. Zay’s award bundle for the SkyPixel 2017 contest included a Nikon D850 and DJI Phantom 4 Pro Obsidian drone.
In a statement to PetaPixel, Zay Yar Lin explained that his D750 was attached to a hexacopter on said bamboo stage when this photo was shot, but that he didn’t realize the photo had to be taken in 2017. His statement reads:
I regret that I had shot with my DSLR with hexacopter on the bamboo stage to get the best angle. But to be honest, I wasn’t aware of the Photo Contest rules that all photos should have been shot in 2017. I’m a freelance and ethical photographer in the contests. Please look up my profile in any site. I really regret misunderstanding had occurred between us.
Zay didn’t mention the attached hexacopter when he spoke with Amateur Photographer about this image in 2016.