The new Lumix GX9 from Panasonic looks set to build on the success of its compact camera range with much improved stabilisation, 4K photo mode and much more.
Panasonic has introduced a new compact in its Lumix range targeting wannabe paparazzi and discrete street photographers. Given a sleek profile the DC-GX9 is rigged with features for run and gun reportage including a view finder that tilts up 80-degrees offering an extraordinary shooting style.
Retailing at £699 body only from next month, the Lumix DC-GX9 houses a 20.3 megapixel sensor, the same as in the flagship G9, and its 4K video prowess is rated at 3840×2160 in 25p or 24p in MP4.
However, what marks the camera out is the viewfinder that tilts up 80-degrees and makes for surreptitious photography by enabling you to hold the camera down around the hips and still see more or less what you’re shooting.
This version of the Live View Finder (LVF) has an eye sensor AF which starts auto focusing as soon as it’s in use “to ensure no shooting opportunity is missed”.
The LVF boasts a 2760,000-dot equivalent resolution, “almost” 100 per cent colour reproduction, 16:9 aspect ratio, a 1.39x / 0.7x (35mm camera equivalent) magnification and 100 per cent field of view.
To save power, the camera will automatically enter sleep mode after detecting the eye is off the LVF’s eye sensor at a designated time. Panasonic claim approximately 900 images per battery charge is achieved with this power-saving function.
It comes with a 3-inch touch screen monitor too of course and this also tilts up 80-degrees and down by 45-degrees, which should make shooting in either high or low angles easier. With a 1240,000-dot resolution this monitor allows you to check composition on screen even in total darkness by boosting the sensitivity.
Autofocus and 5 axis stabiliser
The → continue…
From:: RedShark News
Meet the Panasonic Lumix DC-ZS200 / TZ200: the world’s furthest reaching pocketable 1″ -type camera. It sits beside the near-identical-looking ZS100 as the longer reaching model, providing a 24-360mm equiv. F3.3-6.4 zoom range compared to the 25-250mm equiv. F2.8-5.9 lens of the ZS100.
What’s cool about the ZS200 is its greater zoom range is achieved while barely increasing the size of the body (it’s 1mm thicker and 1mm taller than the ZS100), though the lens is nearly a half stop slower at the wide end, compared to its older sibling.
Both cameras use a 20.1MP 1″ -type sensor but the ZS200 gains a higher resolution 2.33M dot equiv. electronic viewfinder compared to the 1.7M dot LVF on the ZS100 (still field sequential, more on that later). Panasonic has also added low power Bluetooth connectivity, in addition to Wi-Fi. It also gains a 3cm macro mode (available on the wide end only), Panasonic’s L. Monochrome Photo Style, and a new highspeed 1080/120p video mode.
- 20.1MP 1″-type BSI CMOS sensor
- F3.3-6.4 24-360mm equiv. zoom lens
- 2.33M dot LVF with 0.53x equiv. magnification
- 10 fps burst (AF-S), 6 fps burst (AF-C)
- 5-axis in-body stablization
- UHD 4K/24/25/30p video
- 3″ touch LCD
- Depth from Defocus AF
- Wi-Fi and low power Bluetooth
- 4K Photo
- USB charging
To put it simply the ZS200 seems to take the excellent pedigree of the ZS100 (one of our picks for best travel camera), makes some slight improvements and adds a longer, slightly slower lens. Combined, these two cameras fill a gap in the 1″ -type compact camera market, providing significant telephoto reach beyond that of other pocket friendly models, such as the Sony RX100 series.
Compared to its peers
Speaking of the RX100 series, here’s how the ZS200 stacks up in terms of specification to its peers.