HBO

Spoofdance: Filmmakers revving up their comedy engines

By Posted by Jody Michelle Solis, Editor

In its second year, the Spoofdance film festival is seeking parody TV commercials and TV show parodies to include in its lineup. The event, which takes place online, gives away film gear and training ($2500 total value) to its funniest participants. Submission is free, and the deadline to send in videos is August 31.

Last year’s grand prize winner, Jordan Sovis, is planning to submit again. “I have been brainstorming. Gears have been turning!”

Sovis, a videographer in Owosso, Michigan, is a creative force in his small-town community. His parodies for Home Depot’s Search for a Star, including the award winning “The Magical World of Depot” have gone viral online. Sovis’ recent release, “We’re From Owosso,” involves locals in a full blown musical number, reviving a 1950s song from the town’s historic past.

Watch the video:

Last year, Sovis won Spoofdance’s top prize, a Glidecam HD-2000 camera stabilizer. “I film weddings full time, and the Glidecam has definitely helped be out in getting those ‘buttery’ shots! I love it!!”

Spoofdance entries will be judged by a panel of comedy experts, including the founder of the HBO New Writer’s Program, Steve Kaplan. Kaplan regularly serves as a consultant and script doctor to such companies as Dreamworks, Disney, HBO, Paramount, Touchstone and others. All winners will be featured in the online awards show, and select entries may end up in the feature film comedy “Not From Space.”

See website for Official Rules and specifications.

WEBSITE: http://www.borgus.com/spoofdance

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From:: Student Filmmakers

HBO’s ‘Room 104’: How to Shoot an Ultra Low-Budget Indie TV Show

By Chris O’Falt Cinematographer and director Doug Emmett breaks down the challenges and possibilities of shooting an TV show like a low-budget indie film. → continue…

From:: Indie WIRE Filmmaker Toolkit

Watch: How ‘Game of Thrones’ Shot the Massive ‘Silence’ Ship Battle

By Jon Fusco

Plus, a little insight into why Theon may have jumped ship.

[Warning: Spoilers for Game of Thrones Season 7 Episode 2 ahead!]

So far, the most intense battle in the new season of Game of Thrones has undoubtedly been the open sea skirmish between Euron and Yara Greyjoy. While much of the scene must be credited to the strength of the performances of the aforementioned family— particularly Pilou Asbæk’s menacing turn as Season 6’s latest psychotic baddie—the battle would have been nothing without the tireless work of the visual effects technicians and stunt workers.

Mark Mylod, director of the excellent episodes 2 and 3, admits that the biggest challenge of the boat sequence was “how to sell the idea that this was happening at sea, that they were floating on water, and yet we’re in a car park in Northern Ireland.”

Check out how they pulled it off in HBO’s video below.

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From:: No Film School

“Every So Often a Train Would Come Rumbling By and the Set Would Shake”: DP Doug Emmett on Shooting HBO’s Room 104

By Matt Mulcahey

An octogenarian couple returns to the hotel room where they spent their first night together — it’s a logline that would typically preface an elegiac rumination on love and mortality. But by the time that set-up arrives in the season finale of HBO’s new anthology series Rooms 104, it seems just as likely to give way to horror or violence…or interpretive dance. That’s the joy of the newest Duplass Brothers creation — each episode begins as a blank slate capable of unexpectedly evolving into any genre or tone. The 12-episode series — which debuted last Friday night — unfolds entirely […] → continue…

From:: Filmmaker Magazine

How to Pitch HBO: 6 Insider Tips for Getting the Green Light from Top Execs

By Dylan Dempsey

HBO’s top-level gatekeepers share the secrets to getting the green light.

If someone asks for your favorite TV show, chances are it’s on HBO. Is it Game of Thrones? Silicon Valley? Last Week Tonight With John Oliver? The Night Of? Or maybe it’s a Vice documentary, a late-night comedy special, or an Andy Samberg cycling mockumentary.

The HBO sizzle reel at Montreal’s Just For Laughs comedy festival demonstrated the massive scope of HBO’s arsenal. A one-minute compilation, it ranged from sardonic Larry David exchanges to epic Night’s Watch battles. It featured an amazingly diverse slew of shows—all big hits, all engaging.

So, how do you get your own million-dollar idea noticed by the premiere cable network in the world? How does the pitch process work for shows like High Maintenance? Insecure? Look no further: two of HBO’s key creative execs are here to provide all the answers.

“People who’ve made a web series definitely stand out. It’s the perfect proof of concept.”

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From:: No Film School