EOS

Patent: The Next Prosumer DSLR to Get Illuminated Buttons?

By Canon Rumors Will Canon finally add illuminated buttons to the back of their prosumer DSLRs? This latest patent seems to show that they just might. Nikon and Pentax have had illuminated rear buttons for quite some time. Could the EOS 7D Mark III be the first Canon DSLR to get this feature? Japan Patent Application JP2017-147019A → continue…

From:: Canon Rumors

Top 10 sample galleries of the year #8: Nikon D7500

We’re counting down our top 10 most popular sample galleries of 2017. At the #8 spot we have the Nikon D7500, which launched in the spring of this year.

This enthusiast DSLR is very well suited for all forms of still photography – read how it won one of our editors over – thanks to excellent subject tracking, a fast burst rate, deep buffer, good image quality, and solid ergonomics. It sits right below the APS-C flagship Nikon D500 (read how the two stack up) and borrows a few key components from it and the Nikon D5.

We gave it a silver award in our review – it also scored a bit higher than its closest Canon competitor, the EOS 80D (read how the two compare). So take a peek around our gallery and see why we think this camera rocks.


Top 10 most popular sample galleries of 2017:

#10: Sigma 14mm F1.8 Art
#9: Fujifilm GFX 50S
#8: Nikon D7500
#7: To be revealed on 11/18
#6: To be revealed on 11/19
#5: To be revealed on 11/20
#4: To be revealed on 11/21
#3: To be revealed on 11/22
#2: To be revealed on 11/23
#1: To be revealed on 11/24

→ continue…

From:: DPreview

The Best Cameras for Every Budget: Ace One of the Biggest Decisions in Making your Feature

By John Bucher and Jeremy Casper

Everybody wants a full palette of colors to paint with, though chances are you might not be able to afford the glorious images you’ve envisioned for your feature. Today’s technology, however, offers even the no-budget moviemaker an array of affordable camera options to rival the images screened in multiplexes the nation over.

One of the first questions to ask yourself when choosing a camera package is: Where is this film going to be seen? An average distribution scenario for a film shot on a $15,000 budget might be a few screenings at several film festivals, and self-distribution online. On the other hand, higher-end movies, in order to recoup their production costs, have to screen on as many platforms as possible. If a film is going to be projected on large screens or even streamed on Netflix (which now requires all of its new projects to be acquired in true 4K, or at least 4,096 pixels wide), it’s going to require a better camera. And that moviemaker has to be mindful of technical requirements and image specifications that her lower-budget peers won’t have to worry about.

Whoever you are, whatever your film, there’s a camera out there that’s right for you. We’ve drawn up four different levels of production budgets and the types of cameras that work well with each tier—and we asked a few friendly DPs for a second opinion.

Budget Tier One: $15,000 and Under

The $15,000-and-under microbudget threshold is where most moviemakers cut their teeth and gain the experience that will eventually propel them into more significant projects with bigger budgets. Don’t worry, though—you’ll be taken seriously with any of the following cameras.

Canon has for years provided several options in their EOS line that capture high-quality imagery without breaking the bank. “We shot [Zal Batmanglij’s low-budget 2011 feature] Sound of My Voice → continue…

From:: Movie Maker/Cinematography