DOC NYC 2017: Peter Braatz on Blue Velvet Revisited

By Travis Crawford

The past year has proven to be a uniquely rewarding time for David Lynch obsessives, with the Showtime revival of Twin Peaks being the obvious highlight, but also marked by recent Criterion Collection Blu-ray/DVD special editions of Twin Peaks: Fire Walk with Me and the new documentary, David Lynch: the Art Life, focused on Lynch’s painting roots. However, one of the most fascinating Lynch-related features in recent memory has yet to receive the widespread U.S. exposure it richly deserves, and it reflects back to a more traditionally structured Lynch favorite (indeed, still the film that some cite as his key work) that those […] → continue…

From:: Filmmaker Magazine

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