By Noam Kroll
Color grading tools have become more accessible than ever, and as a result filmmakers are becoming hyper aware of the role that color plays in their work. Countless filmmakers are now training themselves in the art and science of color grading as a means to elevate the quality of their work without needing to rely on post-houses.
That said, the color process as a whole still poses a steep learning curve, and many filmmakers jump into their color processes before being fully aware of the technical and creative challenges that they will be faced with.
In this episode, I address 5 of the most common and most critical color grading mistakes made by filmmakers. Topics covered include: the importance of a correct order of operations, how to approach shot matching, why to never overprotect dynamic range, and much more.
Check out Episode 22: The 5 Most Critical Color Grading Mistakes Made By Filmmakers
From:: Noam Kroll