7 Tips for HD Color Correction and DSLR Color Correction

Leggi tutto in:  7 Tips for HD Color Correction and DSLR Color Correction

Scritto da Vashi Nedomansky

Color correction is just one step of the entire filmmaking process…but oh, what a difference it can make. You can take average footage and really make it pop, sing and enhance the viewing experience of your project. If you have excellent footage, then the sky is the limit. You can also make images look garish, ugly and destroy all the hard work the crew did to capture those images on the day of the shoot. The challenges and choices are many and it comes with great responsibility if you are the one applying the Color Correction and Color Grade. In the indie film world, jobs are more often merged and unified and Color Correction is more and more falling into the hands of the Editor. The smaller the budget and tighter the deadline…the more often this becomes true. Shane asked me to take this opportunity and pass on some tips and tricks I have learned over the years of Coloring features, shorts, ads, music videos and documentaries. I choose to use Adobe CS5.5 for my Color post work and bounce between After Effects,Photoshop and Premiere as I love the seamless integration it provides. I am ecstatic to be integrating Speedgrade into my workflow as it will be part of the upcoming CS6 release. That said…the tips I would like to share with you are applicable to all Color Correction software.

To get on the same page, let’s quickly go over some terminology that clarifies what is what in this realm.

COLOR CORRECTION is the process where every clip is manually tweaked to get a good exposure and balance of light. Each clip is adjusted to match color temperature to a predefined choice for each scene. This tedious and mechanical process is essential and in its own way, an art form. The use of SCOPES (Waveform, Vectroscope, Parade) is critical to this step and luckily most NLE’s and Grading software have them built-in. Without them you are literally flying blind and solely trusting your eyes, which have to adjust to room light ambience, fatigue, funky monitors and other factors constantly. Trust the SCOPES and let them guide you into accurate and creative decision making. [...]

Leggi tutto in:  7 Tips for HD Color Correction and DSLR Color Correction

Scritto da Vashi Nedomansky

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